Showing posts with label Payot. Show all posts
Showing posts with label Payot. Show all posts

Saturday, August 9, 2025

Eau Nouvelle by Jean Desses (1976)

Eau Nouvelle by Jean Dessès, launched in 1976 in association with Cantilène, the Parfums de Payot division, bears a name that feels deliberate, modern, and quietly radical for its time. Eau Nouvelle is French, pronounced in simple terms as "oh noo-VELL". Literally translated, it means “New Water”—a phrase that suggests renewal, clarity, and a fresh beginning rather than ornament or excess. In perfumery, the word eau already implies lightness and fluidity, but paired with nouvelle, it becomes a statement of intent: not another variation on tradition, but something consciously new, forward-looking, and reimagined.

The name evokes vivid, sensory imagery: cool water moving over warm skin, green leaves rinsed clean by rain, sunlight flashing across glass and metal. Emotionally, Eau Nouvelle suggests liberation and vitality—stepping into fresh air after confinement, or the exhilaration of change. It is not nostalgic or romanticized; instead, it feels alert, confident, and alive. For a woman, the name implies independence and modernity, a perfume chosen not to please others but to affirm one’s own sense of movement and renewal.

Its 1976 launch places the fragrance squarely in the mid-to-late 1970s, a period marked by experimentation, contrast, and transition. This era followed the social revolutions of the late 1960s and early 1970s and was defined by freedom of expression, global influences, and a loosening of rigid gender and beauty norms. Fashion embraced flowing silhouettes, jersey fabrics, halter necks, earthy tones, and bold prints, while also experimenting with sharp tailoring and minimalist chic. In perfumery, this translated into a fascination with green notes, chypres, and assertive structures—scents that felt intellectual, natural, and slightly rebellious. Women were increasingly self-directed, visible in professional and creative spaces, and less interested in overtly decorative femininity.


A perfume called Eau Nouvelle would have resonated strongly with women of this time. It suggested freshness without fragility, elegance without tradition-bound formality. It spoke to women who wanted a scent that felt current, something that aligned with a sense of change and personal agency. Rather than promising romance or seduction, the name implied energy, clarity, and presence—qualities deeply aligned with the evolving image of modern womanhood in the 1970s.

Interpreted through scent, Eau Nouvelle becomes an olfactory translation of renewal. As a green floral chypre, it combines vivid greenery with structured depth. The “green” aspect conveys sap, leaves, and cool vegetal freshness—sharp, bright, and alive—while the floral elements add color and warmth without sweetness. The chypre base introduces contrast: mossy, dry, and slightly shadowed, giving the fragrance seriousness and longevity. Described as “exotic, fiery,” this suggests that beneath its freshness lies intensity—spice, warmth, and a smoldering undercurrent that prevents the scent from feeling merely clean or fleeting. It is water with heat, freshness with conviction.

In the context of other fragrances on the market, Eau Nouvelle both aligned with and distinguished itself from prevailing trends. Green chypres were highly fashionable in the 1970s, but many leaned heavily into austerity or herbal sharpness. Eau Nouvelle, by contrast, balanced its green structure with sensuality and heat, giving it a more dynamic emotional range. It did not reject the era’s aesthetic—it refined it, offering a fragrance that felt intelligent, expressive, and slightly daring.

Ultimately, Eau Nouvelle was a perfume that embodied its name. It represented a new way of thinking about freshness—not as innocence, but as energy and self-renewal. For women in 1976, it was not simply a fragrance, but a signal of modern identity: fluid, confident, and unafraid of change.


Fragrance Composition:

So what does it smell like? Eau Nouvelle is classified as a green floral chypre fragrance for women. "Exotic, fiery." 

  • Top notes: green mandarin, honeysuckle and lily-of-the-valley
  • Middle notes: narcissus absolute, hyacinth absolute and green notes
  • Base notes: oakmoss absolute, palisander rosewood and musk


Scent Profile:

Eau Nouvelle opens with a vivid, green brightness that feels immediately alive, as though cool sap and sunlight are meeting on the skin. Green mandarin leads the opening—less sweet and juicy than traditional mandarin, more zesty and vegetal. Its peel releases a fresh, slightly bitter citrus-green aroma that feels crisp and modern, prized for its clarity and lift. This brightness is softened by honeysuckle, which drifts in with a delicate, nectar-like sweetness, airy and luminous rather than heavy, evoking warm air moving through flowering vines. 

Alongside it, lily-of-the-valley rings clear and cool—bell-like, fresh, and green. As the flower yields no natural extract, this note is masterfully built from aroma molecules that recreate its unmistakable scent: dewy petals, crushed stems, and clean spring air. These synthetics add sparkle and diffusion, enhancing the freshness of the opening while extending its life on the skin.

As the fragrance unfolds, the heart reveals its more intense, exotic and fiery character through a trio of powerful green florals. Narcissus absolute brings depth and drama—dark, honeyed, and faintly animalic, with nuances of hay, warm skin, and pollen. Often sourced from southern France, narcissus is prized for its complexity and its ability to blur the line between floral and animal warmth. 

Hyacinth absolute follows, cool and unmistakably green, smelling of snapped stems, damp earth, and lush petals. True hyacinth is reconstructed through a blend of naturals and aroma chemicals, capturing its wet, verdant character. These synthetic elements sharpen its green bite and amplify its radiance, making the floral heart feel vivid and almost tactile. Supporting green notes, shaped by modern molecules, add the sensation of leaves, sap, and fresh growth, intensifying the fragrance’s verdant tension and keeping the florals brisk rather than sweet.

The base anchors Eau Nouvelle in classic chypre elegance. Oakmoss absolute forms the foundation—cool, shadowed, and slightly bitter, with the scent of forest floor, damp bark, and lichen-covered stone. Traditionally sourced from Mediterranean regions, oakmoss is prized for its depth and its ability to give structure and longevity to a composition. 

Palisander rosewood (often associated with Brazilian rosewood profiles) introduces a smooth, polished woodiness—softly rosy, faintly spicy, and refined—bridging the green florals and the earthy moss. Finally, musk envelops everything in a warm, skin-like softness. Modern musk molecules provide cleanliness, diffusion, and persistence, smoothing the sharper green edges and allowing the fragrance to cling intimately to the wearer.

Together, these elements create a green floral chypre that is anything but restrained. Eau Nouvelle feels vibrant and alive—fresh yet intense, cool yet subtly heated from within. The interplay of natural absolutes and carefully chosen aroma chemicals gives the fragrance its distinctive personality: radiant and verdant at the surface, shadowed and sensual beneath. It is a perfume that captures renewal not as innocence, but as energy—an elegant, fiery expression of modern femininity that lingers with quiet confidence.


Product Line:

Available in 1984/1985 as Eau de Toilette Fraiche. 


Fate of the Fragrance:

Discontinued, date unknown. Later released under the Payot name, same bottle and presentation.

Friday, May 15, 2015

Amun by 4711 c1981

In 1980, the German fragrance house Muelhens/4711 acquired Payot (Colonia Inc.), a company known for its roots in skincare and French elegance. With the acquisition came the opportunity to launch a new fragrance venture under the name Cantilene Inc., the newly established fragrance division of Payot in the United States. By 1981, Amun was introduced—an oriental perfume for women that was unlike anything else on the American market. By 1982, it had made its way into U.S. department stores, aligning itself with a wave of renewed cultural fascination with ancient Egypt.

Why name a perfume Amun? The name is a deliberate invocation of Egypt’s mystical and storied past. It was chosen not only for its phonetic allure but for its symbolic resonance—“Amun” is derived from the final syllables of Tutankhamun, the boy-king who had captured the modern imagination during the globally celebrated Treasures of Tutankhamun Tour, which began in 1972 and concluded in 1981. After captivating audiences across the U.S., the exhibition continued to Ontario and West Germany, creating a cultural phenomenon. Muelhens strategically capitalized on the excitement and fascination surrounding this archaeological event—Amun was, in essence, a perfume souvenir of ancient royalty.

But who was Amun? In ancient Egyptian mythology, Amun (sometimes spelled Amon, Ammon, or Amen) was one of the most powerful deities. Originally a local Theban god of air and wind, Amun rose to prominence and eventually merged with the sun god Ra, becoming Amun-Ra, the king of the gods, associated with creation, protection, and hidden power. His name in ancient Egyptian—transliterated as Imn—means “the hidden one” or “invisible”, referencing a divine presence that is everywhere yet unseen. Pronounced AH-moon, the name itself evokes mystery, divinity, and an eternal presence—qualities that translate beautifully into fragrance.

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Welcome to my unique perfume blog! Here, you'll find detailed, encyclopedic entries about perfumes and companies, complete with facts and photos for easy research. This site is not affiliated with any perfume companies; it's a reference source for collectors and enthusiasts who cherish classic fragrances. My goal is to highlight beloved, discontinued classics and show current brand owners the demand for their revival. Your input is invaluable! Please share why you liked a fragrance, describe its scent, the time period you wore it, any memorable occasions, or what it reminded you of. Did a relative wear it, or did you like the bottle design? Your stories might catch the attention of brand representatives. I regularly update posts with new information and corrections. Your contributions help keep my entries accurate and comprehensive. Please comment and share any additional information you have. Together, we can keep the legacy of classic perfumes alive!

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